Old Musical Instruments

 

Buying-Selling Early Musical Instruments

 

 

William Petit wpetit@sfr.fr  Tel 00 33 6 13 12 43 22

 

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Saxophones Selmer

Sopranino

Soprano

Alto

Tenor

Baryton

Bass

Saxophones Adolphe Sax

Soprano

Alto

Tenor

Baryton

Flûtes

Flûtes by Thomas Lot

Silver flûtes by Louis Lot

Wooden flûtes by Louis Lot

Piccolos flûtes by Louis Lot

Flûtes by Clair Godfroy

Flûtes by Auguste Bonneville

Recorders XVIII em Century

Other Wooden Flûtes

Other Silver Flutes 

Woodwind

French Bassoons

Heckel Bassoons

Clarinets

Sarrusophones

Oboes

English-Horns

Musettes-Bigpipes

Brasswind

Cornets

Trombones

Ophicleides

Bugles-Keys

Serpents

Natural-Horns

Mandolins

Luigi Embergher

Raffaele Calace

Gelas

Vinaccia

Miscellaneous

Strings

Classical Guitars

Romantic Guitars

Jazz Guitars

Lyre Guitars

Harps

Hurdy-Gurdy

Bow

Violin-Viola d'Amore-Quinton

Miscellaneous

Miscellaneous

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French Natural Horn .... The horn player Zeti à Paris

 

The Natural Horn was originally just used for as a special addition to the orchestra, but during the early 1700s composers began to include horn parts in most pieces, and the Horn became a part of the standard orchestra.

 

The main difference between the Natural Horn and the modern Horn was lack of valves ones.

However, the Natural Horn could only be played in one key, and to avoid having to switch instruments in the middle of a concert, players began using crooks, which were pieces of tubing that the hornist would attatch to the lead pipe, changing the length and modifying the key.

 

It is ideal to play Mozart,Frédéric Chopin ,Franz Liszt ,Robert Schumann ,Félix Mendelssohn ,Hector Berlioz ,Johannes Brahms

 

 

 

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